LMQ1 - What does the learner already know?

Prior Learning Experiences (Formally):
  • Students are familiar with how to modify visual arts elements, concepts, processes and forms to express ideas, considering audiences and intended purposes, through images and objects
  • Students have just completed a unit on “The Human Condition”. They are extremely familiar with this concept and now have a strong base in which to build their knowledge on this units focus “excess”.
  • Students are familiar with building a blog
Prior Learning Experiences (Informally):
  • Students are familiar with their own personal individualised style and way of expression through media
  • Through my observations of the class I have noticed they have strong theoretical knowledge of art, past and present
Current Achievement Levels:
  • In the previous unit in year 9 visual arts all students received a passing grade
Outcomes Achieved to Date:
  • Each visual art unit requires written and visual reflection and evaluation in a blog or journal format. Students are familiar with learning outcomes such as an art blog, technique experiments and responding with a final artwork.

LMQ2 - Where does the learner want to be?

Learning needs and goals (Formal)
  • The learner needs to become familiar with the concept of manipulating visual art elements through images and objects as opposed to modifying as was done in previous units.
Learning needs and goals (informal)
  • Students want to learn how to bring their drawings to life. In the previous unit on “The Human Condition” a majority of students submitted drawings. As an extension to this, these students wish to manipulate their art works to respond to the new focus of  “excess” through animation.
Learning Outcomes
Declarative
  • Excess
  • How humans are excess
Procedural
  • Make decisions about arts elements, languages and cultural protocols in relation to specific style, function, audience and purpose of arts works
  • Create and shape arts works by manipulating arts elements to express meaning in different contexts
  • Modify and refine genre-specific arts works, using interpretive and technical skills
  • Present arts works to particular audiences for a specific purpose, style and function, using genre-specific arts techniques, skills, processes and cultural protocols
  • Identify risks and devise and apply safe practices
  • Respond by deconstructing arts works in relation to social, cultural, historical, spiritual, political, technological and economic contexts, using arts elements and languages
  • Reflect on learning, apply new understandings and justify future applications (The essential learnings reference)
  • Create relevant arts works utilising ICTs

LMQ3 - How does the learner best learn?

The majority of the students in this class are very introverted. They tend to come into the classroom and create “art” in their own bubble and not really talk to one another. To encourage discussion and sharing among students I have implemented a lot of strategies to get them working in groups or pairs. Creating an online environment for deeper discussion is perfect for the reflective learners because they can think carefully about their responses, become comfortable with their opinions and then share them with the rest of the class. It encourages sharing without being too overwhelming. Digital natives feel comfortable in an online environment. I’m trying to find a balance between physical socialisation and online socialisation to cover all different learning styles and personalities. Hopefully successful online discussions will encourage physical conversing. Without ICTs the students wouldn’t talk at all, so in this instance ICTs are integral to learning.
DoL1 Focus (What attitudes and perceptions will be the focus of this unit plan and how will I supply individual learners?)
  • Let students experience a sense of comfort and order, for example the art room has been established as a relaxed place that provides students with a haven away from other subject areas to create artworks. If students don’t feel comfortable in their environment then they won’t feel comfortable to create freely.
  • Recognise and provide for students’ individual differences, for example planning varied classroom activities so that all students have opportunities to learn in their preferred style. This is probably taking it too literally but I’ve noticed half the students in the class don’t take their earphones out so in an attempt to cater to their style of learning I’m going to offer thinking music. Hopefully then the students will take out their earphones and listen with the rest of the class.
DoL5 Focus  (What Habits of Mind will be the focus of this LEP and how will I support their development?)
  • The Dimension of Learning Five, Habits of Mind – Respond appropriately to others’ feelings and level of knowledge (Marzano & Pickering, 1997, p. 282). In a group situation it can be intimidating to share ideas especially when a topic is unfamiliar. Students need to learn how to show respect to one another by listening to everybody equally and without judgement as art is extremely subjective and more often then not there are no incorrect answers just different opinions and perspectives.
  • The Dimension of Learning Five, Habits of Mind – Push the limits of your knowledge and abilities (Marzano & Pickering, 1997, p. 285). Students need to learn to continually push their abilities and get out of their comfort zone. For example maybe a student chose to do a drawing for the past unit, in this unit they need to get out of their comfort zone and learn a new technique such as computer animation.

Untitled Document
Student Learning Style Disabilities, Gifted & Talented Socialisation Multiple Intelligences Personality Type
Student(S)1/ TB (initials)/ Female(F)
Active
Intuitive
Visual
Sequential
A popular student but won't start conversation Visual/Spatial
Naturalistic
Interpersonal
Follower not a leader
S2/SB/F
Active
Intuitive
Visual
Sequential
Well liked student who talks alot Visual/Spatial Intrapersonal Needs a lot of direction and input
S3/AC/F
Active Intuitive
Visual
Global
Sits in the middle of the room, no friends in the class Linguistic
Visual/Spatial
Kinaesthetic
Loud student who if not kept busy, will misbehave
S4/KH/F
Reflective
Sensing
Verbal
Sequential
Shy student, sits alone Linguistic
Logical
Musical
Visual/Spatial
Very booksmart, Doesn't get involved in class discussions
S5/JL/F
Active
Sensing
Visual/Verbal
Sequential
Very bright, very strong conceptual work Shy student, sits alone Visual/Spatial
Logical
Very quiet, very smart
S6/RM/F
Reflective
Intuitive
Visual
Sequential
Popular student, sits with others Musical
Kinaesthetic
Visual/Spatial
Interpersonal
Keeps to herself in class and when asked can respond well
S7/EP/F
Active
Intuitive
Visual
Sequential
The ring leader of the class Kinaesthetic
Interpersonal
Visual/Spatial
Natiuralistic
Takes control of the situation if someone needs to step up and give input
S8/JR/F
Reflective
Intuitive
Visual
Sequential
Quiet, sits alone Visual/Spatial
Musical
Linguistic
Very quiet, hard to remember she if there
S9/AS/F
Reflective
Intuitive
Visual
Sequential
Just moved from another school, finding it hard to pass Sits alone Visual/Spatial
Intrapersonal
Kinaesthetic
Quiet, responds well to one on one tuition
S10/GS/F
Active
Intuitive
Visual
Sequential
Very gifted but has no idea of her talent and potential Very popular, hides a bit behind her surfer girl image Visual/Spatial
Naturalistic
Kinaesthetic
Musical
Linguistic
Gives her opion when asked, not super motivated
S11/SW/F
Reflective
Intuitive
Visual
Sequntial
Very,very smart, can fuel a great debate Shy, has only been to class once Visual/Spatial
Naturalistic
Musical
Suffers depression and can't handle stress
References:
Marzano, R.J., & Pickering, D.J. (with Arredondo, D. E., Blackburn, G. J., Brandt, R. S, Moffett, C. A., Paynter, D. E., Pollock, J. E., Whisler, J. S.). (1997). Dimensions of Learning Teacher’s Manual (2nd ed). Alexandria, VA: ASCD.